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The pool
 
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Image Title:  The pool
  0
Favorites: 1 
 By: Nick Karagiaouroglou  
  Copyright ©2007

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Photographer Nick Karagiaouroglou  Nick Karagiaouroglou {Karma:127263}
Project #1 Abstracts Camera Model Canon T90
Categories Abstracts
Film Format 24x36
Portfolio Lens Tokina SZ-X 80-200mm 1:4.5-5.6
Uploaded 5/10/2007 Film / Memory Type Kodak  Royal Supra
    ISO / Film Speed
Views 266 Shutter
Favorites Aperture f/
Critiques 9 Rating
Pending
/ 0 Ratings
Location City - 
State - 
Country - Switzerland   Switzerland
About The metal tubes that are used as railing in some trains together with a poster of a commercial gave me the vague impression of a swimming pool while I was travelling from work back home. So I tried to somehow capture that impression using a triple exposure, soft focus and camera motion.
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There are 9 Comments in 1 Pages
  1
James Cook James Cook   {K:38068} 5/15/2007
True enough.

  0


Nick Karagiaouroglou Nick Karagiaouroglou   {K:127263} 5/15/2007
A very interesting position, James! And if we consider that no free will would be possible at all without the set of things you name "Fate", then we see the importance of it. (I would rather name it necessity instead of fate though.) Still, I think - or want to think - that most of the time the skills can compensate for the premises given by that "Fate". A top level photographer can take a shot out of almost anything under almost any conditions, and make it look fantastic, solving thus the special problems that arrive with that "anything". Of course there will be also problems that are simply unsolvable - or for which not even a decision is possible. (Here I touch Goedel, I know.) Those problems really demonstrate the "Fate", or "Necessity", or whatever we might call it.

Have a nice day,

Nick

  0


James Cook James Cook   {K:38068} 5/14/2007
Well, that's what I meant by a collision between luck and skill. It's lucky that the world was the way the world was and it was skill that framed and set the camera and hit the sutter. Something like that. Of course, one can improve one's odds or influence luck.

This relates to a philosophical position I am tending. There are two forces at work in the universe (or at least two ways of talking about employed forces). One of these I will call Fate and the other Will. Will is what I am able to choose (choose or not choose) and Fate is that collection of things beyond my choice (gravity, time, your will, etc.).

  0


Nick Karagiaouroglou Nick Karagiaouroglou   {K:127263} 5/14/2007
Yes, that's true, James. Of course the elements have to be there first. But still, any available elements can be captured in a way that results in a great shot. So, any "luck" can be good luck. Or perhaps I just demand the impossible in order to be able to do the possible - who knows?

Best wishes,

Nick

  0


James Cook James Cook   {K:38068} 5/14/2007
Well, even hunting for the perfect conscious shot... you have to be in some place where something exists and you have to notice it... I don't know.

All of these elements, that is to say the world around us, we have no direct control over. If those elements come together, what other name do we have for that? I believe that is exactly what we call luck.

  0


Nick Karagiaouroglou Nick Karagiaouroglou   {K:127263} 5/13/2007
It might as well be, James, but I don't like this way that much. I am hunting the perfect conscious shot - which I may never make.

Nick

  0


James Cook James Cook   {K:38068} 5/11/2007
If I've said it once I've said it a hundred times: the great ones come from a blind collision of luck and skill. We are magicians conjuring order from the shadows.

  0


Nick Karagiaouroglou Nick Karagiaouroglou   {K:127263} 5/11/2007
I see. Strange that I didn't even think of it at shooting time. Perhaps, after all, the best chaos is produced when trying to produce some order - this would agree with the incompletness theorem at its far lying consequences. :-/

Thanks a lot, James!

  0


James Cook James Cook   {K:38068} 5/11/2007
You see, this is one where I think again the chaos comes together.

  0


  1

 

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