|
Ian McIntosh
{K:42997} 10/8/2007
|
Sorry, Clive, I wrote that on a night shift, I was tired, I don't mean to come across as dismissive and your question is genuine. I work a lot at night and wish it was captured more often. So often it is seen as a grim thing, darkness -isn't it romantic here though? Respectfully, Ian.
|
|
|
Ian McIntosh
{K:42997} 10/7/2007
|
Clive, do you have sex with the lights on?
|
|
|
Ian McIntosh
{K:42997} 10/7/2007
|
Oh! Truly I audibly took a breath! What a freaking poem! That hushed purple really sets it of. Man it's religious!
|
|
|
Roger Skinner
{K:81846} 10/7/2007
|
ahhhh poor Clive check out Bill Henson some time and you will see the effect is just what I wanted deliberate u/x in this case (as with the other images like this) was used to evoke some sense of mystery and depth... anyone can make a correct exposure in fact today its hard not to, anyone can also make an incorrect exposure as a mistake. To choose ones exposure to fit the feeling of the storm is however a personal choice which I made deliberately and correctly, irrespective of the viewers notions.
|
|
|
Clive Carter
{K:8603} 10/7/2007
|
Yes he is :-) He is a reasonable photographer and I just don't understand why he would post such poor images.
|
|
|
Liz Wallis
{K:26133} 10/7/2007
|
I think you're driving Clive mad Rog......
|
|
|
Clive Carter
{K:8603} 10/6/2007
|
All I can see is a small blue smudge in a black rectangle. I do not understand why you would even post this without making some attempt to improve the image. I have taken the liberty of adjusting it so that others may see the image for what it is. Adjusted with the levels command in PS.
|
 Adjusted with levels only |
|