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Critique By:
Barry Wakelin (K:7838)
8/30/2005 11:59:44 AM
Nice composition and the Beetle's always such a great subject.
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| Photo By: Giulio Rotelli
(K:28441)
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Critique By:
Barry Wakelin (K:7838)
8/30/2005 11:50:17 AM
Lovely light and a nice bucolic image.
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| Photo By: Pawel Karpienko
(K:-17)
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Critique By:
Barry Wakelin (K:7838)
8/30/2005 9:39:17 AM
Lovely curving composition and the B&W conversion's very impressive. It seems to have maintained the sharpness that digital conversions often lose. Even the jet contrail adds something to the image!
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| Photo By: Carsten Ranke
(K:14476)
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Critique By:
Barry Wakelin (K:7838)
8/30/2005 9:37:46 AM
A magical shot. Great work balancing the dim light on the shell with the brighter background.
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| Photo By: Patrick Di Fruscia
(K:486)
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Critique By:
Barry Wakelin (K:7838)
8/26/2005 12:32:43 AM
Nice cityscape.
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| Photo By: fahad alfahad
(K:483)
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Critique By:
Barry Wakelin (K:7838)
8/26/2005 12:29:47 AM
Beautiful light and a nice simple composition.
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| Photo By: Robert Nagy
(K:61)
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Critique By:
Barry Wakelin (K:7838)
8/25/2005 1:33:43 PM
A great night shot!
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| Photo By: Bertrand CLEMENT
(K:128)
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Critique By:
Barry Wakelin (K:7838)
8/25/2005 12:57:07 PM
Nice contrast, the rigidity of the rocks against the softness of the clouds yet both sharing a similar visual form.
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| Photo By: franchini marco
(K:-490)
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Critique By:
Barry Wakelin (K:7838)
8/25/2005 12:56:03 PM
Wonderful light and good use of foreground to lead us through to the distant mountains.
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| Photo By: Bosnia Photo
(K:3088)
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Critique By:
Barry Wakelin (K:7838)
8/25/2005 12:55:13 PM
Nice light/reflections and an unusual composition.
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| Photo By: peter ryan
(K:36)
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Critique By:
Barry Wakelin (K:7838)
8/25/2005 8:37:15 AM
Nice colours and a nice simple composition, it works well.
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| Photo By: shane gerrish
(K:199)
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Critique By:
Barry Wakelin (K:7838)
8/24/2005 2:32:55 PM
Great light and nicely composed.
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| Photo By: Christopher Kosegarten
(K:119)
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Critique By:
Barry Wakelin (K:7838)
8/24/2005 2:26:36 PM
Great wide-angle street scene. Really nicely composed and very sharp.
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| Photo By: Thilo Bayer
(K:50358)
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Critique By:
Barry Wakelin (K:7838)
8/24/2005 2:23:55 PM
Amazing image.
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| Photo By: Merete Westerdahl
(K:11079)
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Critique By:
Barry Wakelin (K:7838)
8/24/2005 2:21:30 PM
This is such a great shot. Perfect composition and so well seen.
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| Photo By: Dubravko Grakalic
(K:25235)
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Critique By:
Barry Wakelin (K:7838)
8/23/2005 2:18:07 PM
Antonia, thanks for the comment. The blue's not 'real' but it's not been enhanced. Velvia takes on this blue colour when shooting in low light and I'd normally correct it using an 81B warm-up filter but on this occasion I knew it would make a nice contrast with the deep red band from the setting sun.
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| Photo By: Barry Wakelin
(K:7838)
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Critique By:
Barry Wakelin (K:7838)
8/23/2005 2:13:56 PM
Some more great abstracts. This one stands out for me. The textures, shapes and tones come together spectacularly well here.
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| Photo By: Jeanette Hägglund
(K:59855)
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Critique By:
Barry Wakelin (K:7838)
8/23/2005 2:11:54 PM
Extraordinary! A wonderful collage.
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Photo By: Antonia BauerleinSehnert
(K:30599)
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Critique By:
Barry Wakelin (K:7838)
8/23/2005 2:10:02 PM
Great colours against the grass and sky.
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| Photo By: ken krishnan
(K:19102)
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Critique By:
Barry Wakelin (K:7838)
8/23/2005 10:42:51 AM
Nice abstract landscape.
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| Photo By: Alessandro Lavagna
(K:2231)
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Critique By:
Barry Wakelin (K:7838)
8/23/2005 10:41:14 AM
Great light and atmosphere and a really nice composition. It does look a bit manipulated though.
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| Photo By: Bogdan Lutostanski
(K:59)
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Critique By:
Barry Wakelin (K:7838)
8/19/2005 4:50:42 PM
Marc, thanks for your comments. The amount of filtration required will depend on the situation. In this case the mountainside on the right was in shade whilst the sky top left was brightly lit. I used a handheld spot meter to measure the difference in brightness between the two and it was about seven stops which is unusually severe. It's best to have the sky 1 to 1.5 stops brighter than the foreground and I chose to use 5 stops to give me the result I was looking for on this occasion. 2 to 3 stops is usually sufficient when working with a partially lit foreground.
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| Photo By: Barry Wakelin
(K:7838)
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Critique By:
Barry Wakelin (K:7838)
8/19/2005 1:19:18 PM
Nice shot, sir!
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| Photo By: Chris Spracklen
(K:32552)
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Critique By:
Barry Wakelin (K:7838)
8/15/2005 4:11:54 PM
Amazing location and lighting.
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| Photo By: Stjepan Mikulic
(K:669)
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Critique By:
Barry Wakelin (K:7838)
8/15/2005 4:09:18 PM
Superb crop and fantastic colours.
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| Photo By: S.D Holmes
(K:7156)
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Critique By:
Barry Wakelin (K:7838)
8/15/2005 4:07:06 PM
Lovely shot, great light and very well composed.
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| Photo By: Christopher Kosegarten
(K:119)
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Critique By:
Barry Wakelin (K:7838)
8/12/2005 5:15:26 PM
Tony, sounds pretty scary! I agree about the tree getting mixed up in the dark line and it may have been better to somehow differentiate it although I'm not sure the overall composition would have been as harmonious.
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| Photo By: Barry Wakelin
(K:7838)
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Critique By:
Barry Wakelin (K:7838)
8/9/2005 5:51:06 PM
Wonderful scenery and colour. Could do with an ND grad here!
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| Photo By: Tim Schumm
(K:29196)
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Critique By:
Barry Wakelin (K:7838)
8/9/2005 5:50:20 PM
Wow, it feels like I'm being sucked into this image, I almost feel vertigo! Great work. I think your exposure times may be back to front? 1/400 at f/6.3 and 1/100 at f/13 surely?
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| Photo By: Carsten Ranke
(K:14476)
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Critique By:
Barry Wakelin (K:7838)
8/9/2005 5:28:01 PM
Nice start Daniel and a great subject, I love Bamburgh Castle. Keep up the good work and I look forward to seeing more of your work soon.
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| Photo By: Daniel Saint
(K:18)
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