Photograph By Jill Bartlett
Jill B.
Photograph By Adam Orzechowski
Adam O.
Photograph By Nigel Watts.
Nigel W.
Photograph By Paul Lara
Paul L.
Photograph By Behyar Yasan
Behyar Y.
Photograph By Jill Bartlett
Jill B.
Photograph By Ms. Mel Brackstone
Ms. Mel B.
Photograph By Sandee  Castillo
Sandee  C.
 
imageopolis Home Sign Up Now! | Log In | Help  

Your photo sharing community!

Your Photo Art Is Not Just A Fleeting Moment In Social Media
imageopolis is dedicated to the art and craft of photography!

Upload
your photos.  Award recipients are chosen daily.


Editors Choice Award  Staff Choice Award  Featured Photo Award   Featured Critique Award  Featured Donor Award  Best in Project Award  Featured Photographer Award  Photojournalism Award

Imageopolis Photo Gallery Store
Click above to buy imageopolis
art for your home or office
.
 
  Find a Photographer. Enter name here.
    
Share On
Follow Us on facebook 

 


Send this photo as a postcard
Edge of the Forest
 
Send this image as a postcard
  
Image Title:  Edge of the Forest
  0
Favorites: 0 
 By: John Charlton  
  Copyright ©2003

Register or log in to view this image at its full size, to comment and to rate it.


This photo has won the following Awards




 Projects & Categories

 Browse Images
  Recent Pictures
  Todays Pictures
  Yesterdays Pictures
  Summary Mode
  All imageopolis Pictures
 
 Award Winners
  Staff Choice
  Editors Choice
  Featured Donors
  Featured Photographers
  Featured Photos
  Featured Critiques
   
 Image Options
  Unrated Images
  Critique Only Images
  Critiquer's Corner
  Images With No Critiques
  Random Images
  Panoramic Images
  Images By Country
  Images By Camera
  Images By Lens
  Images By Film/Media
   
 Categories
   
 Projects
   
 Find Member
Name
User ID
 
 Image ID
ID#
 
   
 Search By Title
 
   

Photographer  John Charlton {Karma:5595}
Project #20 Classic Landscape Camera Model Nikon Coolpix 995
Categories Nature
Film Format
Portfolio Rural
Trees
Black & White
Lens 10.8
Uploaded 8/3/2003 Film / Memory Type digital
    ISO / Film Speed 0
Views 462 Shutter 1/8
Favorites Aperture 2.9
Critiques 6 Rating
Pending
/ 1 Ratings
Location City - 
State - 
Country -   
About It looks a bit like an infrared shot but it isn't. Photographed in black and white rather than being converted later on and exposed for the dark shadows on the forest side of the tree. No filters used.
Random Pictures By:
John
Charlton


The Creature

Fall Harvest

Glacial Erratics

Brit !

SX 70

Sacred Circle

Screen Window #1

Summer Grasses

Blue Iris

The Torch

There are 6 Comments in 1 Pages
  1
Judy Kessler   {K:6316} 8/4/2003
wonderful work...great lines and use of light... John are you related to Dave Charlton? He lives in England. Wonderful friend.

  0


jeff lynch jeff lynch   {K:4770} 8/3/2003
This has to look great as a print man! I have never really used my 995 in the bw mode but will have to take it out for a spin. Very interesting tones going here and the sharpness is great. Nice one man!

  0


John Charlton   {K:5595} 8/3/2003
Thanks Marek. I was a little pissed off with Alpha Centurian's comment as you may have guessed from my reply. Thanks for reaffirming what I considered to be a great exposure job. I really was going for an infrared look and I am proud of what I brought home.

I've heard Nikon's claims about sharpness too and I don't know what to say other than this file looks particularly crisp. As far as I'm concerned, the main reason to switch over to b&w is for the preview, which in this case led me to an exposure I never would have thought of otherwise. Most of the time I shoot in colour and make the decision to go black and white later. I'm glad I broke out of that routine for this and a few other shots.

In the 995, black and white is achieved by desaturation alone so the color depth stays at 16 million. The toning is easily accomplished in Paint Shop Pro but I'm not sure there is an equivalent in Photoshop. I just adjust the Automatic Color Balance to 5500 degrees Kelvin from the standard 6500 daylight. For a selenium tone I do the same thing but move the other way, usually all the way to 9300 degrees Kelvin for a much cooler effect. There are other ways to mimick sepia tones in Paint Shop Pro but none of them have given me as pleasing results with as much consistency from one photo to the next.

  0


Marek Krol   {K:9791} 8/3/2003
I would've sworn its an IR photo John. Guess it was the overexposure of the lighter areas when you spot metered off the trunk. I dont agree at all that its overexposed, there are no blown highluights that get in the way, and no detail is perceptibly lost (I do thinkyou were lucky with the stop range to get it all though ;) ). The subject itself works well as a sort of half welcoming half warning signpost "you are now in the forest" :)

PS: do you find that you do actually get more detail when you shoot b&w in camera? nikon states this in the manuals, and I use it if I want ot use the photo as a b&w because of conversion noise issues, but IM not convinced about the actual differences in level of detail if any. (on the 5700)

PS2; I would be much obliged if you could tell me what the tone you used here was - the stock b&ws look a little cold and blue rather than b&w usually. This looks very lightly sepia...

  0


John Charlton   {K:5595} 8/3/2003
Alpha Centauri - is that your real name? - You may not like my choice of exposure but I can assure you that it was deliberate.

  0


Alpha Centauri   {K:754} 8/3/2003
Good forest scene, but it looks a bit overexposed. I'd try to darken it a little with Variations in PS.

  0


  1

 

|  FAQ  |  Terms of Service  |  Donate  |  Site Map  |  Contact Us  |  Advertise  |

Copyright ©2013 Absolute Internet, Inc - All Rights Reserved

Elapsed Time:: 0.46875