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end of the corridor
 
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Image Title:  end of the corridor
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 By: vehbi dileksiz  
  Copyright ©2009

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Photographer vehbi dileksiz  vehbi dileksiz {Karma:37355}
Project #12 Dramatic B&W Shadows Camera Model leica m6
Categories People
Street
Candids
Film Format
Portfolio Lens summicron-m 35mm
Uploaded 7/28/2009 Film / Memory Type Ilford Hp-5 Plus
    ISO / Film Speed
Views 442 Shutter
Favorites Aperture f/
Critiques 24 Rating Critique Only Image
Location City -  İstanbul
State - 
Country - Turkey   Turkey
About
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vehbi
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There are 24 Comments in 1 Pages
  1
vehbi dileksiz vehbi dileksiz   {K:37355} 7/31/2009
Thank you so much for the interest and your explanotary notes dear Ray...I appreciate for your words...thanks a lot again and heartfelt best wishes....be well my friend...

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stingRay pt.4 . stingRay pt.4 .   {K:250401} 7/31/2009
They are totally different pictures my dear Vehbi. The mono version is superior because of the power of the tones and the almost sinister appearance of the man walking down the corridor; a spy, a gangster or a hitman.....of course he is just a man but the mind plays tricks with this wonderful composition. The colour version shows more detail and I do like the tilt to the perspective BUT there is no story here. The composition is sound, the colours are natural and I've said I like the perspective. There is no comparison your mono study is the best. Well done for both of them my dear friend......I'm off out for the day now, it is 8am and I will catch up with you all later or tomorrow. A big HUG and my very best wishes to you as always......Ray

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vehbi dileksiz vehbi dileksiz   {K:37355} 7/30/2009
thank you so much for your comment dear Marcio...Best wishes and kind regards...

  0


vehbi dileksiz vehbi dileksiz   {K:37355} 7/30/2009
Glad you like it, dear Pallab, thank you so much...best wishes and regards...

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vehbi dileksiz vehbi dileksiz   {K:37355} 7/30/2009
dear Ray... here is the same place but taken 25 years later and different angles... two of them in my UF pages......if possible, please can you write what do you think about...they looks me very different...B&W is so emotional and strong for me, but colored one is not evoke something... Suddenly I felt alienated..seem strange to me...Thanks as always my friend...best wishes and hugs...

  0



Marcio Janousek Marcio Janousek   {K:32538} 7/29/2009
It is certainly a perfect exposure and a wonderful image.
I love it !!

  0


Pallab Banerjee   {K:3177} 7/29/2009
Excellent B&W capture .... the composition is really good ...

  0


stingRay pt.4 . stingRay pt.4 .   {K:250401} 7/29/2009
Great diagonal lines leading down the corridor Vehbi. Excellent details and wonderful monochromatic tones. Well done my dear friend. My very best wishes to you as always........Ray

  0


vehbi dileksiz vehbi dileksiz   {K:37355} 7/28/2009
Thanks dear Panyakit. So glad you liked it. Best wishes...

  0


vehbi dileksiz vehbi dileksiz   {K:37355} 7/28/2009
Thanks a lot dear Arup. I appreciate the comment my friend. Glad you liked it. Best wishes and big hugs...

  0


vehbi dileksiz vehbi dileksiz   {K:37355} 7/28/2009
Çok teşekkür ederim Sinem'ciğim...Sevgiler...

  0


vehbi dileksiz vehbi dileksiz   {K:37355} 7/28/2009
Here is the answer dear Amitava...cheers...

Reflected Light Readings for Film and Digital Images

In order to correctly expose your film or digital CCD there are two variables that must be identified: average reflectance and average light. Unless you have some good reason to meter for other than these two averages, stick meticulously to the method outlined below.

This article deals with reflected light readings. This is the type of light reading taken with an in camera light meter or a hand held meter which is pointed toward the subject. This article does not deal with incident light readings which are a measure of the light falling on the subject.

Average Reflectance

A white painted wall, snow or the ocean reflect most of the light falling on them. A burnt tree, a black fireplace or a coal mine reflect little of the light falling on them.A mid tone falls halfway between these extremes and reflects 18% of the light falling on it. The ISO rating of film or a digital CCD is set so this mid tone is exposed as a mid tone.

Identify a Mid Tone

Identify a mid tone for average reflectance and meter off that. Look for some green grass or foliage, mid tone rocks or bare dirt, weathered timber or whatever you can find that is somewhere in the middle between dull black and shiny white. If you are unable to escape a predominance of one extreme or the other in your framed image, then find an area to meter else where.

If need be, point the meter toward yourself and meter your clothes or else take your coat off, throw it on the ground and meter that.

Sand at the beach, or the palm of your hand are about one stop too bright. These can be used to meter off but you must compensate and the liklihood of a mistake is introduced.

Average Light

Average light is half way between light and shadow. If it's overcast there isn't so much difference between the two extremities as when it's sunny but you still should take a reading of the average light.

Identify Average Light

If you are metering off some trees and scrub in full sun you'll probably find that the scene makes it's own shadows within the foliage. Be careful because the amount of sun and shadow can be confusing.

If metering a tree, aim your meter such that you read off half sun and half shadow on the tree trunk, then if need be, move around the tree to your chosen photo spot to capture the image. On a rough barked tree such as a pine tree, make sure that the texture of the bark on the sunny part has not created half shadow.

If metering a building, meter off a corner so you get one wall in the sun and the adjacent wall in the building's own shadow. Alternatively, meter half the sunlit building and half the shadow on the ground.

When photographing the landscape I always take my own shadow with me. Yes, as long as the sun is shining my shadow will be there with me. I crouch down and meter off the ground and point the meter so half of it reads my shadow and the other half reads the sunny area. That's my reading till the light changes. If I have any doubts about the average reading, I take a reading from the shadow area and another from the sunny area, then see if my average light reading is in the middle.

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vehbi dileksiz vehbi dileksiz   {K:37355} 7/28/2009
Thank you so much dear Amitava, my best wishes and regards my friend...hugs...

  0


vehbi dileksiz vehbi dileksiz   {K:37355} 7/28/2009
Glad you like it dear Tatan... thank you so much...hugs...

  0


vehbi dileksiz vehbi dileksiz   {K:37355} 7/28/2009
Thanks as always dear Harry...hugs...

  0


vehbi dileksiz vehbi dileksiz   {K:37355} 7/28/2009
Thank you very much for your comment dear Malules, Best wishes...hugs...

  0


Arup Bhattacharya Arup Bhattacharya   {K:3422} 7/28/2009
Excellent shot. wonderful composition.

This weekend I was out on a holiday trip with my family. Not able to see your gallery. I am back and will see the "Vehbi Magic" thoroughly.

Take care. Stay well.

Arup.

  0


Panyakit Chaovamu   {K:4051} 7/28/2009
Beautiful tone.....Great street shot...

  0


Sinem . Sinem .   {K:9180} 7/28/2009
Great bw work :) Excellent composition !

  0


Amitava Kundu   {K:2113} 7/28/2009
Dear Vehbi, I wanted to mean average light.

  0


Amitava Kundu   {K:2113} 7/28/2009
Most excellent aperture (dof) and average exposure dear Vehbi.
I have not seen so good average exposure for a long time!! Every day u are surpassing YOURSELF. Beyond compliment!
8/7
With best regards and hugs,
Amitava
P.S I woe you a long "letter" dear friend for your comment, bitte eine Weile warten!

  0


Tatan @9_only Tatan @9_only   {K:880} 7/28/2009
Wonderful Vehbi uncle.
Regards,
Tatan

  0


Wolf Zorrito Wolf Zorrito   {K:78768} 7/28/2009
or the beginning ..............

  0


Malules Fernandez Malules Fernandez   {K:54810} 7/28/2009
Excellent work!!
weel done, dear Vehbi
hugs,
Malules

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