|
|
Nick Karagiaouroglou
{K:127263} 4/21/2008
|
And I'm completely of the same opinion, Sandip! Both is good, "strictness" *and* "looseness", for they are two versions of the same. The wall is not insifnificant at all on your versions. It is the real scene, it can only be significant.
The two different crops are very related to each other. There is a reciprocal realtion between them, as the one is the abstraction of the other, or if you like, the one is the realisation of the other.
Sometimes I think that it could be very interesting to shoot, say, ten images at exactly the same time, from exactly the same point and angle, and of exactly the same scene, but with ten different framings and camear/lens settings. It could be a small series for itself. The same story as seen in ten different views.
Cheers!
Nick
|
|
|
|
|
Sandip Aine
{K:5008} 4/20/2008
|
Eita amaro aschorjo laglo .. jokhon tulcchilam kheyal korini .. dewal ta je orom bhabe bnyakalam ki kore .... ota soja rakha sotti i dorkar cchilo ...
|
|
|
|
|
Sandip Aine
{K:5008} 4/20/2008
|
Thank you very much Nick for your comments. Yes as you see there's choice between restricting the moment to itself or using it as a part of the entire
scene. Both can be important imo. While he restriction brings about power inclusion of the wall lets the environment (which may be insignificant but it still exists :)) into the picture.
Thanks again.
Regards,
-sandip
|
|
|
|
|
Bijit Bose
{K:5871} 4/19/2008
|
Khub bhalo light control in the portrait. Perfect moment. Perfect project selected. However, I would have liked the wall to be straight.
|
|
|
|
|
Nick Karagiaouroglou
{K:127263} 4/17/2008
|
Most of the time I talk about attachments that I most of the time forget! :-D Sorry, Sandip! Here it is!
Nick
|
Cropped off wall at the right |
|
|
|
|
Nick Karagiaouroglou
{K:127263} 4/17/2008
|
It is a s low key as it should for making the "addition" visible in this strong way, Sandip! The moment of "going into the coffee" - for me an almost sacred moment of finding back to the own conscience again, by forgetting about everything else for a second. So I can identify with that - it is *my* moment, *my* second, when I just have to find myself early in the morning in order to get back on the fundament of inner stability, for just surviving yet another hard day.
The lighting is just tremendous since it does allow so many details to be directly visible despite the "darkness". The timing was also very well fitting the lighting. Just that tiny moment of concentration that comes instinctively in the version of taste delight of coffee. (Or tee, or also something stonger ;-)).
I don't know if the inclusion of the wall at the right is necessary. Surely it adds contrast and also a reference frame, i.e. "space" in which the protagonist can exist. So, let's say the attached crop is just a very strict version of it, where the protagonist just exists for his own self for a tiny little moment. Much like...
"... is it me for a moment?" as sung by The Who.
Cheers!
Nick
|
|
|
|
Shirley D. Cross-Taylor
{K:174136} 4/15/2008
|
You're welcome, dear Sandip!:)
|
|
|
|
|
Sandip Aine
{K:5008} 4/15/2008
|
Thank you very much, dear Gianes.
Best Regards,
-sandip
|
|
|
|
Gianes Ma
{K:26069} 4/15/2008
|
Very drammatic and very intimate also..
Excellent work, congratulations Sandip.
G.
|
|
|
|
|
Sandip Aine
{K:5008} 4/15/2008
|
Thank you very much, Dear Shirley. Yes, that's a point of consideration. I think your way would make it much more compact and powerful. Thanks again my dear.
Best Regards,
-sandip
|
|
|
|
|
Shirley D. Cross-Taylor
{K:174136} 4/15/2008
|
I love this low-key dramatic image, dear Sandip. I wonder if it would be even more powerful without the wall on the right? Even so, I'll rate it a 7.:)))
|
|
0 
