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behind the sea of fire 1a
 
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Image Title:  behind the sea of fire 1a
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 By: lowell whipple girbes  
  Copyright ©2003

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Photographer  lowell whipple girbes {Karma:13151}
Project #1 Abstracts Camera Model sony dsc f707
Categories Abstracts
Film Format
Portfolio Lens  
Uploaded 4/25/2003 Film / Memory Type  
    ISO / Film Speed 0
Views 380 Shutter 1/2 sec
Favorites Aperture 5.6
Critiques 20 Rating
5.59
/ 8 Ratings
Location City - 
State - 
Country -   
About flow, fly, dive ....the complete serie is on my site
http://homepage.mac.com/lowellwhipple/PhotoAlbum13.html
Random Pictures By:
lowell
whipple girbes


~.!~.

~!~

0-

&

ana belen .....

~!~

clara m

~

:-) / :-) / :-) / ........

~

There are 20 Comments in 1 Pages
  1
keon kim   {K:816} 5/31/2003
too blury

  0


Jose Ignacio (Nacho) Garcia Barcia Jose Ignacio (Nacho) Garcia Barcia   {K:96391} 5/9/2003
marvelous.you may look beauty in the nature.Cuba.nacho

  0


Wayne Harridge Wayne Harridge   {K:18292} 5/5/2003
Here's my wall...

  0



a tse & son   {K:295} 5/5/2003
Great use of colours!
Wonderful abstract,
and again, how great it looks on the wall!

  0


Wayne Harridge Wayne Harridge   {K:18292} 5/1/2003
>>>>> ?

  0


michelle k.   {K:16270} 4/26/2003
so damn cool. i love this series.

  0


deniz kaan copur   {K:12726} 4/26/2003
great!

  0


Samuel Downs   {K:7290} 4/25/2003
Nice feel to this one.

  0


Hakan Aker   {K:14146} 4/25/2003
So Beautiful Lowell,i love your abstracts

  0


Anna Aichinger   {K:4921} 4/25/2003
great !!!

  0


lisa .   {K:9370} 4/25/2003
BY the way......BTW......by the way......:-)) u found taht hut yet??

  0


Julio Caballero   {K:849} 4/25/2003
Me gusta mucho la idea o concepción que tienes acerca de que el espectador tenga que hacer referencia a su universo para entender lo que esta viendo. A mi en particular me gusta mucho la fotografia abstracta creo que es una herramienta para expresar lo que pasa por la cabeza de uno.
Bueno y relativo a "behind the sea of fire 1a", me encanta la suavidad del color y el efecto borroso que hay en ella, me genera una tranquilidad y armonia. Excelente trabajo!

  0


lisa .   {K:9370} 4/25/2003
awwwwww, looks so great MR well.......i imagine with its partners its even better.......:-))).......and u are too btw.

  0


Joăo Figueiredo   {K:7674} 4/25/2003
excellent Lowell, and your comment is a good explanation of, i may say, your art...

  0


MaryBell    {K:32791} 4/25/2003
Lowell,

This has real composition. Even when there is no real intellectual understanding the composition can't be denied. I think that perhaps, it could be cropped from the top - nope, never mind tried it - we need the dark areas to keep the eyes moving.

I was trying to move the point of insertion up (and maybe to the left a bit). I am calling it point of insert because that is what it looks like to me - I guess it is an emotional response to something I don't understand.

Mary

  0


^j^ .   {K:8554} 4/25/2003
This is cool Lowell... Or I could even say, this is well Locool !!!

;-)

And, btw... We're looking for a nice little fisherman's hut by the sea... Nothing much in fact... Just one of the best kept secret quiet place you could find and it'll be fine !!!

  0


Fabio Keiner   {K:81109} 4/25/2003
all the beauty of the world
in a look
or steady gaze
a whale's journey described by a submarine eye

  0


Dennis Donohue   {K:-78} 4/25/2003
Excellent abstract!! great color

  0


lowell whipple girbes   {K:13151} 4/25/2003
i have this one in different print formats and this 3 images go together, also they are part of a short clip of 2 minutes . part of the press note for that exhibition
"En trayecto? (on route), as the show has been titled, consists of a delicate and subtle journey through photography by diverse unrecognizable surfaces at first sight, where the spectator have to resort constantly to his/her universe of real or imaginary references to be able to decipher them. The dynamic use of the color, that per moments seems to wrap like a jellyfish the lens of the camera and an abstraction of translucent qualities of indefinite contours, transports us to a world of nameless shapes, urges to us to perceive an enigmatic and disturbing visual language. "

  0



Peter Burda Peter Burda   {K:4807} 4/25/2003
A M A Z I N G ! I would like to have it on my wall !!! Remains me work of mine lecture and firend http://www.michael-buehler.com.

  0


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