 Chris Lauritzen
(K=14949) - Comment Date 2/11/2004
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 Nicole Takeuchi
(K=0) - Comment Date 2/11/2004
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Hi Chris,
Thanks i'll look into and do some testing.
nicole
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 Michael Goldfarb
(K=629) - Comment Date 2/12/2004
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I'd also recommend Agfapan APX 100. In my own work (with a Minox, where grain is the name of the game), I've found it to be the finest grained of the "old tech" films in that speed range. What's more, it has a beautiful look with very smooth gradation and is less prone to excessive contrast than the new tech films. Better exposure latitude too.
I've never used in in MF, but it should be *gorgeous*...
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 Khalid Ismail
(K=43) - Comment Date 2/14/2004
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Hi Takeuchi,
The ILFORD FP4 (125 ISO) and HP 5 (400 ISO) are the best films I ever used in B&W, they are technically more sharp than T-Max and Tri-X pan but I found the touch of HP5 and Tri-X pan are the same.
Best Luck
IsmailKhalid@Yahoo.com
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 Nicole Takeuchi
(K=0) - Comment Date 2/14/2004
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Hi Michael,
Thanks for your mail. I happened to have some agfa apx 100 in the fridge, so i did a test the other day. I hope they turn out gorgeous!
nicole
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 Nicole Takeuchi
(K=0) - Comment Date 2/14/2004
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Hi Khalid,
thanks for your suggestions. maybe there're other alternative than just ilford warmtone like kentmere or forte warmtone i'm thinking of using.
nicole
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 Giuliano Guarnieri
(K=36622) - Comment Date 5/4/2004
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From my experience the best "no grain film" is the Pan F in PMK (Pyro) or Rodinal. In both the two developer you have to set your ISO at 32 ASA.
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 Phillip Cohen
(K=10561) - Comment Date 5/8/2004
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If you have lots of light and want NO grain, give Kodak Technical Pan film a try using Technidol developer. It is probably the finest grain film on the market, but at ISO 12 it does take a lot of light.
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 Brian C. Miller
(K=478) - Comment Date 5/10/2004
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While Philip suggests Kodak Techpan, I'd recommend against it unless you are an anti-grain nutter. I've shot a good bit of it, and pulling the film for 12 instead of 25 will take a few rolls to experiment with for proper development times. And Techpan isn't cheap film, and it requires a special developer, Technidol.
The Ilford films are quite nice. Fact is, pretty much all 100 speed films are nice. I've read reviews from pro photographers who think Tmax is nearly the equal of Techpan for lack of grain.
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 Oliver Racz
(K=169) - Comment Date 5/17/2004
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You will get as many different suggestions as there are slow and medium speed films out there. This is really only a question of your preference. My personal favourite (not that I have used so many films) is Ilford FP4+. It has a much nicer tonal range than T-grain films like Kodak T-max and Ilford Delta films, and is still very fine grained. It is also easier to control the highlight areas and prevent them from being blown away. I normally rate it at EI64. I never lost any shadow detail at its nominal speed of ISO 125/22 either, but it just looks better for me at EI64.
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 t chamberlain
(K=638) - Comment Date 6/10/2004
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I have used Techpan at ei8 and processed it in Rodinal dil. 1:100 with one inversion per minute in a stainless tank.
I liked my results..
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 t chamberlain
(K=638) - Comment Date 6/10/2004
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Oh yes and printed on the Ilford warm tone... good luck tc
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 Stefan A. F. Kassler
(K=3727) - Comment Date 6/13/2004
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I also would use the Ilford Pan F 50 film. This film has a very rice tone and a fine grain.
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 fp student
(K=42) - Comment Date 6/17/2004
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Hi. I used to shoot tmax 100 almost exclusively. I have developed a taste for certain Ilford films. I am quite partial to FP4 125 and Delta 100. I find each to have a silky smooth tone as compared with tmax films. The grain structure is not as harsh as that of tmax either. It is also MUCH easier to get the film on a rell for developing. I find that Kodak films, ESPECIALLY Tri X, are a royal pain in the but to load on a reel, and an even bigger pain when it comes to trying to make the silly film lie flat for scanning.
Given a choice, I will shoot with Ilford every time.
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