|
|
Joe Johnson
{K:8529} 8/23/2006
|
With the particular angle what, in my opinion, you captured was essentially a sculpture. A 'modern art' piece, if you like. The only complaint I might have is the placement of the horizon, which might be slightly lower (holding the camera slightly higher, that is), but still just above the umbrella.
I brightened a bit. I also used a spherize filter, at a very low 10-setting, to both bring the 'sculpture' closer and emphasize the natural framing of the berm to the left.
|
|
|
|
|
|
Philip Wilmeth
{K:612} 8/22/2006
|
Very nice how all the blues work together, offset by small but intense spots of green and red. NIce composition.
Phil
|
|
|
|
Simone Tagliaferri
{K:28180} 8/22/2006
|
A prima vista gli oggetti sulla spiaggia compongono uno strano macchinario (una specie di Incredible machine). la stranezza della composizione è accentuata dalla posizione rilassata della figura umana. Ottimo colpo d'occhio.
|
|
|
|
Doyle D. Chastain
{K:101119} 8/22/2006
|
Hello Ubaldo:
On the Technical aspects of the shot . . . I should tell you I like the break down you have on the horizontal layers in this shot. Sand, water and sky . . . each layer larger than the preceeding layer and no centrality is a good idea. Very good idea. I think a slight increase in midtones might be a good idea as well . . . The only other thing I might be able to suggest (for your consideration) would be pulling the right-side crop in tighter to throw the balance a tad bit off and make the shot less static. Good work here.
Regards,
Doyle I <~~~~~
|
Tighter Right-Side Crop Example |
|
0 
