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Critique By:
j w (K:12641)
10/19/2003 10:17:40 PM
Simple and beautiful -- I like it!
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Photo By: gianna piano
(K:15530)
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Critique By:
j w (K:12641)
10/19/2003 10:14:45 PM
Nicely composed, Pascal -- and beautiful as well. I can feel the wind and the cold setting in.
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Photo By: Pascal Renoux
(K:4077)
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Critique By:
j w (K:12641)
10/19/2003 10:12:15 PM
Hey, that's MY coffee pot -- how come I there's no beautiful naked woman to make me more???
I love the bulb in all of these. It says a lot.
No doubt this was a fabulous exibition. I love all of these, they're just so crazy and accurate. Only a genius could think them up -- tell her I said so
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Photo By: Anders Schildt
(K:117)
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Critique By:
j w (K:12641)
10/19/2003 10:06:14 PM
Breathtaking, Lowell!!! Beautiful beautiful beautiful == great tones, wonderfeul DOF, good heart & spirit, too
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Photo By: lowell whipple girbes
(K:13151)
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Critique By:
j w (K:12641)
10/16/2003 10:00:54 AM
Fabulous, John! Personally, I think it's Jimmy Stewart The Plus X is great -- nice tones, and it's going to be fun to see what you'll do with it in the future.
Now -- for the stuff I always love in your work: look how every element here is lined up so perfectly to lead the eye around the frame. Just wonderful.
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Photo By: John Strazza
(K:11535)
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Critique By:
j w (K:12641)
10/15/2003 7:33:09 PM
Manuela's seeing what I am -- both hesitation and intensity in her face. It's an engaging photograph, made even better by your framing, and I like it very much.
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Photo By: james mckenna
(K:6535)
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Critique By:
j w (K:12641)
10/15/2003 1:44:25 AM
Perhaps they are making a new map of the world? This is lovely, Fabio -- very well seen -- and I'm glad you saw it!
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Photo By: Fabio Keiner
(K:81109)
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Critique By:
j w (K:12641)
10/15/2003 1:41:42 AM
Stunning, David -- meticulous without being boring or static (as meticulous can sometimes be). It also feels very natural & unplanned. Very beautiful, and I think the white button is just splendid!
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Photo By: david malcolmson
(K:4145)
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Critique By:
j w (K:12641)
10/14/2003 9:48:55 PM
beautiful beautiful beautiful -- love the composition, just lovely. Think I'd squeeze just a hair more contrast out of it to really show off the midtones. But that's me, and I'll certainly take this as it is
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Photo By: Patricia Eifel
(K:5097)
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Critique By:
j w (K:12641)
10/14/2003 6:41:05 PM
One of the best abstracts I've ever seen, Tom. Perhaps it's your title, but I feel an immediate sense of fully understanding this -- and not in a way that makes me want to look at it quickly and dismiss it as "oh yes, I understand" But in a deeper, mysterious way that makes me want to come back to it again and again.
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Photo By: Tom Holmlund
(K:629)
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Critique By:
j w (K:12641)
10/12/2003 11:50:28 PM
Once again, you've aptured the soul of a statue. I am not so sure she's stupid, though -- maybe she's just a different kind of smart now
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Photo By: Fabio Keiner
(K:81109)
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Critique By:
j w (K:12641)
10/12/2003 11:46:56 PM
I've been studying this off and on all day -- like heiroglyphs on a cave wall, or as you said, wallpaper -- in semi-darkeness as you're trying to fall asleep. At various times I have seen a female breast, Jesus Christ, an old Buddhist monk climbing a hill, and a small pig.
It is always a little bit different -- like everything good
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Photo By: Anders Schildt
(K:117)
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Critique By:
j w (K:12641)
10/12/2003 7:30:11 PM
What a beauty, John! I'm not one to worry what a photo's about, I just love being seduced by good tones and a sense that the world is making or unmaking itself.
In that, you've certainly succeeded!
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Photo By: John Strazza
(K:11535)
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Critique By:
j w (K:12641)
10/12/2003 7:26:41 PM
What a great title! Are those apples? WEll, they're certainly going to be happy when they get home . . .
I think the tones are decent here, considering that there's a lot of sun -- it's made beautiful shadows for you, too.
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Photo By: Dubravko Grakalic
(K:25235)
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Critique By:
j w (K:12641)
10/12/2003 7:23:15 PM
Ah, now you see her, now you don't! I love the delicacy of the disappearing form against the solid form of the stairs. I also really like the out of place tile in the bottom right corner -- it all works very well for me.
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Photo By: Peter Burda
(K:4807)
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Critique By:
j w (K:12641)
10/12/2003 7:08:58 PM
Thank you Peter! I am sorry it has taken me so long to get to see this -- but I have been sick. And this happy face and WONDERFUL hat are making me smile smile smile!
Keep it up with that plastic lens, I'm loving it!!!
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Photo By: Peter Burda
(K:4807)
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Critique By:
j w (K:12641)
10/12/2003 7:06:16 PM
even without the title, this one has an incredible sadness.
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Photo By: Tom Holmlund
(K:629)
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Critique By:
j w (K:12641)
10/12/2003 6:56:42 PM
Love it -- I'm loving this whole series, and feeling quite inspired by it.
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Photo By: Tom Holmlund
(K:629)
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Critique By:
j w (K:12641)
10/12/2003 6:45:42 PM
What a wonderful composition, Lowell -- love the DOF and the intense focus on the eyes.
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Photo By: lowell whipple girbes
(K:13151)
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Critique By:
j w (K:12641)
10/12/2003 6:36:33 PM
Love it!!! There's the wonderful repeating background, and all the little dramas . . . Good job catching that kid on his bike between trees -- and the little girl is perfect!
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Photo By: Patricia Eifel
(K:5097)
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Critique By:
j w (K:12641)
10/12/2003 6:33:28 PM
Nice! Looks like top-secret bullfighter information to me
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Photo By: anabela oliveira
(K:514)
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Critique By:
j w (K:12641)
10/12/2003 6:31:05 PM
So coy I love the pose and of course the leaves and the framing. It's your usual surprising and excellent work -- and by usual I don't mean anything even remotely resembling typical. It's always unique, but always yours.
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Photo By: Jay Gumm
(K:3084)
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Critique By:
j w (K:12641)
10/12/2003 6:25:05 PM
I guess he's saying he's sick of you and your camera!
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Photo By: Pascal Renoux
(K:4077)
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Critique By:
j w (K:12641)
10/12/2003 6:19:23 PM
This is really stunning, Tom -- just beautiful in a way tht's almost "straihtforward" but then twisted in the wonderful direction of being yours. Very nice!
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Photo By: Tom Holmlund
(K:629)
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Critique By:
j w (K:12641)
10/7/2003 8:22:49 PM
I know that when a sculptor makes a monument, he intends a certain emotional intensity and life for it -- but you, my friend, always seem to find a way to amplify this, make it more visceral and powerful. Tis a gift --
and I am so glad to have seen this, it's a beautiful work.
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Photo By: Fabio Keiner
(K:81109)
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Critique By:
j w (K:12641)
10/7/2003 8:12:35 PM
You've captured a beautiful mood here -- love the high contrast, the man's shadow and the things beyond -- it's all very peaceful. Which is how I always feel when I am alone. Nicely done!
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Photo By: Dubravko Grakalic
(K:25235)
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Critique By:
j w (K:12641)
10/7/2003 7:51:16 PM
Peter, it's PERFECT!!! And it's the perfect camera for you, I think -- you've got such a wonderful eye -- just look at that shadow, and the lines of the sidewalk . . . beautiful.
Please tell Eva that a woman who lives halfway across the world in America says she is the prettiest little girl she's seen in a long long time.
Have you seen the Holga shots Michael Klemmer has done with multiple exposures? They're very lovely, too.
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Photo By: Peter Burda
(K:4807)
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Critique By:
j w (K:12641)
10/7/2003 7:38:45 PM
A force to be reckoned with, no doubt! What an expression you've captured here, marcin. I don't know if I want to know how you did it!
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Photo By: Marcin Gorski
(K:12388)
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Critique By:
j w (K:12641)
10/7/2003 7:24:53 PM
you play the madman so well, Pascal Nice light here -- it highlights the hands so well.
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Photo By: Pascal Renoux
(K:4077)
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Critique By:
j w (K:12641)
10/6/2003 5:01:00 PM
So beautiful, Tom -- I've loved all of these, tehy're very very rich
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Photo By: Tom Holmlund
(K:629)
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