|
|
Critique By:
Eric Peel (K:136)
8/21/2003 7:13:59 AM
I LOVE the colors here. Must have been taken early or late in the day for the light to be so beautiful. Very nice architecture but the building appears to be leaning slightly to the left. Sharp too!
|
Photo By: Paulo Machado
(K:4482)
|
|
|
Critique By:
Eric Peel (K:136)
8/13/2003 8:13:36 AM
Absolutely beautiful. The water is gorgeous! I only wish the moon were larger.
|
Photo By: Subha Pindiproli
(K:10108)
|
|
|
Critique By:
Eric Peel (K:136)
8/13/2003 8:12:18 AM
This has a very eerie feel to it. Looks more like the sun but then you can't take very long shutter times like this in the day time, and the landscape is dark. I like it!
|
Photo By: Subha Pindiproli
(K:10108)
|
|
|
Critique By:
Eric Peel (K:136)
8/12/2003 12:10:25 PM
This image works very well. The placement of the girl is very strong, and the red pulls the eye over pretty quickly. This is a good example of the use of negative space, giving the viewer the feeling that she's all alone.
|
Photo By: luisa vassallo
(K:28230)
|
|
|
Critique By:
Eric Peel (K:136)
7/9/2003 7:04:04 AM
This is a wonderful image. The ps work enhanced it greatly. Attention is focused where it should be, and it has a magical quality. I too like the beautiful blue in the bottle. The colors here are outstanding. Good work!
|
Photo By: luisa vassallo
(K:28230)
|
|
|
Critique By:
Eric Peel (K:136)
5/29/2003 1:47:17 PM
What a marvelous shot. The shadows of the petals on each other is absolutely what makes it compelling. Nice colors, composition and contrast...nothing negative here at all!
|
Photo By: Subha Pindiproli
(K:10108)
|
|
|
Critique By:
Eric Peel (K:136)
5/29/2003 1:01:07 PM
Nice flower, could use a bit more contrast and color saturation.
|
Photo By: Luis Costa - Lucaz
(K:9205)
|
|
|
Critique By:
Eric Peel (K:136)
5/19/2003 6:57:20 AM
Very soft, beautiful, and unconventional. Great expression and congratulations on getting her to cooperate with you!
|
Photo By: luisa vassallo
(K:28230)
|
|
|
Critique By:
Eric Peel (K:136)
5/9/2003 12:31:41 PM
An excellent use of light. Stunning. Absolutely gorgeous. Good work!
|
Photo By: Paolo Pagnini
(K:1022)
|
|
|
Critique By:
Eric Peel (K:136)
5/7/2003 2:57:34 PM
I really like this shot. The lighting and expression are very good and well-captured. Nice and sharp, too. However, the subject does blend into the background as they are almost the same color.
|
Photo By: Hayri CALISKAN
(K:16195)
|
|
|
Critique By:
Eric Peel (K:136)
5/7/2003 1:25:35 PM
The position of the sun/main light centered behind the tree really makes this image. It would have been just as good even without the fence.
|
Photo By: Vicki Bentley
(K:5080)
|
|
|
Critique By:
Eric Peel (K:136)
5/6/2003 12:59:53 PM
Very engaging panoramic shot. It is interesting to look at and technically very well done. The grain does enhance the fog, and the well-lit sails provide beautiful contrasting whites with the darker sky and water.
|
Photo By: Subha Pindiproli
(K:10108)
|
|
|
Critique By:
Eric Peel (K:136)
4/25/2003 12:40:55 PM
Very nice macro. The only thing I would do is adjust the brightness a touch, as there are no bright whites anywhere in the image. Great work!
|
Photo By: Subha Pindiproli
(K:10108)
|
|
|
Critique By:
Eric Peel (K:136)
4/25/2003 12:36:17 PM
Well done. You captured a perfect expression, and the technical details are excellent.
|
Photo By: Nicola Vassallo
(K:9801)
|
|
|
Critique By:
Eric Peel (K:136)
4/25/2003 12:32:49 PM
This is a BEAUTIFUL shot. I love the color. I have nothing negative to say; it couldn't be better, in my opinion.
|
Photo By: Luis Costa - Lucaz
(K:9205)
|
|
|
Critique By:
Eric Peel (K:136)
4/24/2003 1:12:07 PM
This is excellent work. The background is perfectly blurred and the light's "halo" around him works well. Sharpness is good too. Shadows are not too dark, and everything really came together for this one.
|
Photo By: Ari A. Alves (alvesari)
(K:7733)
|
|
|
Critique By:
Eric Peel (K:136)
4/24/2003 1:07:47 PM
What a gorgeous image. It has a great calming, relaxing, go-back-in-time effect.
|
Photo By: Peter De Rycke
(K:41212)
|
|