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Critique By: Morgan Smith  (K:304)  
4/28/2003 8:04:50 PM

Yea, I know.
        Photo By: Morgan Smith  (K:304)

Critique By: Morgan Smith  (K:304)  
4/24/2003 10:07:59 PM

That's sadly apparent
        Photo By: Morgan Smith  (K:304)

Critique By: Morgan Smith  (K:304)  
4/24/2003 3:15:20 PM

I don't suppose you have the intelligence to know what an abstract is, eh? Or to look at my portfolio. Gosh no
        Photo By: Morgan Smith  (K:304)

Critique By: Morgan Smith  (K:304)  
4/24/2003 7:50:31 AM

It's got a nice crawling way of growing. Looks like a staircase, perhaps gnomes? Does it get a bit dark at the bottom?
        Photo By: Darrell Larose  (K:736)

Critique By: Morgan Smith  (K:304)  
4/24/2003 7:37:45 AM

I just don't like that light at all..good job!
        Photo By: Fabio Keiner  (K:81109)

Critique By: Morgan Smith  (K:304)  
4/23/2003 7:28:53 PM

Neat, I like it. I don't know if a lighter shirt is the answer, but it would be nice to have him stand out against the black end.
        Photo By: Andrew Haworth  (K:356)

Critique By: Morgan Smith  (K:304)  
4/22/2003 8:37:05 PM

Ah, another truly intelligent being decides to rate me as all ones.
        Photo By: Morgan Smith  (K:304)

Critique By: Morgan Smith  (K:304)  
4/22/2003 6:22:51 PM

Looks almost like glued bits of rice...but I doubt it. The colours and shapes are both quite unique and I like the nice suttle background.
        Photo By: Chris Eynon  (K:1296)

Critique By: Morgan Smith  (K:304)  
4/22/2003 6:18:09 PM

I like the simplicity, just a simple red line that seems so out of place captures the attention. There seems to be a lot of "extra" stuff, however..
        Photo By: Jamie Haggett  (K:694)

Critique By: Morgan Smith  (K:304)  
4/22/2003 5:51:44 PM

There's just something about it I like a lot. I would have liked to see the man walking more illuminated and the shadow on the right gone, but what're you gonna do about it? Good job.
        Photo By: Baris Anac  (K:44)

Critique By: Morgan Smith  (K:304)  
4/22/2003 5:47:17 PM

I love the soft parrallel lines you've achieved here.
        Photo By: Michael Coddington  (K:340)


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