Photograph By Clay Boutin
Clay B.
Photograph By Sta Lip
Sta L.
Photograph By Jan Symank
Jan S.
Photograph By Mary Sue Hayward
Mary Sue H.
Photograph By Clay Boutin
Clay B.
Photograph By Andrew Aldridge
Andrew A.
Photograph By The Pilgrim
The P.
Photograph By Jan Symank
Jan S.
 
imageopolis Home Sign Up Now! | Log In | Help  

Your photo sharing community!

Your Photo Art Is Not Just A Fleeting Moment In Social Media
imageopolis is dedicated to the art and craft of photography!

Upload
your photos.  Award recipients are chosen daily.


Editors Choice Award  Staff Choice Award  Featured Photo Award   Featured Critique Award  Featured Donor Award  Best in Project Award  Featured Photographer Award  Photojournalism Award

Imageopolis Photo Gallery Store
Click above to buy imageopolis
art for your home or office
.
 
  Find a Photographer. Enter name here.
    
Share On
Follow Us on facebook 

 


Send this photo as a postcard
Poverty's Shadow
 
Send this image as a postcard
  
Image Title:  Poverty's Shadow
  0
Favorites: 0 
 By: James McGinnis  
  Copyright ©2003

Register or log in to view this image at its full size, to comment and to rate it.


This photo has won the following Awards




 Projects & Categories

 Browse Images
  Recent Pictures
  Todays Pictures
  Yesterdays Pictures
  Summary Mode
  All imageopolis Pictures
 
 Award Winners
  Staff Choice
  Editors Choice
  Featured Donors
  Featured Photographers
  Featured Photos
  Featured Critiques
   
 Image Options
  Unrated Images
  Critique Only Images
  Critiquer's Corner
  Images With No Critiques
  Random Images
  Panoramic Images
  Images By Country
  Images By Camera
  Images By Lens
  Images By Film/Media
   
 Categories
   
 Projects
   
 Find Member
Name
User ID
 
 Image ID
ID#
 
   
 Search By Title
 
   

Photographer James McGinnis  James McGinnis {Karma:6045}
Project #25 Characters Camera Model Canon EOS Rebel 2000 (EOS 300)
Categories People
Film Format
Portfolio Lens Tamron 75-300 4 - 5.6
Uploaded 10/21/2003 Film / Memory Type Kodak ISO 400 B&W C-41
    ISO / Film Speed 0
Views 2103 Shutter
Favorites Aperture f/0
Critiques 16 Rating
Pending
/ 2 Ratings
Location City - 
State - 
Country -   
About
Random Pictures By:
James
McGinnis


Deep River Waterfall

The Buddy System

Lunch Together

Phillip Dutton

Morning Collection

Polocross

In Motion

Zebra Escaping

Tree and Bench

Tembo

There are 16 Comments in 1 Pages
  1
Roy V Roy V   {K:13082} 4/7/2004
Very Strong! Excellent Work
Roy

  0


Gino  Quattrocchi   {K:39580} 1/2/2004
Grazie per il tuo commento positivo ...(ho usato molto il dizionario,perchè non conosco l'inglese)se puoi seleziona il traduttore.
Bello questo scatto ,come fai ad inserire quella cornice?
ciao e buon anno
Gino

  0


Betsy Hern   {K:12872} 10/22/2003
Yes, you're welcome. Chris is a good teacher. Take little steps at first and soon you will be a pro Photoshop user (but don't overdo it).

  0


Chris Lauritzen   {K:14949} 10/22/2003
You welcome!

  0


James McGinnis James McGinnis   {K:6045} 10/22/2003
Chris and Betsy,

Thanks so much for the advice and tutoring. I played with the dodging tool like you suggested (following Chris's method) and it worked out great! I've reposted here. Thanks for all your help. That zoom really makes it much, much easier. Don't know why I didn't think of it!

  0



Chris Lauritzen   {K:14949} 10/22/2003
I was off on the amount setting in the un-sharpe mask..it was actually set to 50

  0


Chris Lauritzen   {K:14949} 10/22/2003
James,

First thing I did was open the levels control to make sure the levels were equal. I moved the center arrow a bit to the left to brighten the midrange of the scene. Next I opened the curves control and pick my three adjustment points. One is for the highlights, second for the mid range and the third is for the shadow area. I adjusted each point until I got an overall smooth tone to the image.

Next I used the dodge tool and set it to about 5% and a small brush size then zoomed in on the image to have just the face on the screen. I then dodged the eyes first to bring out the detail there then I worked around the rest of the face. I then zoomed out to see what it looked like and zoom back in to make more corrections. This is really just a matter of personal taste here in the results you get.

I then applied an Un-sharp mask filter to it to help sharpen up the image; I used a small setting here. I think I used the setting of:

Amount = 100
Radius = 1.3
Threshold = 0

After that I saved the image and then opened it in the Neat Image program to help smooth out the digital noise introduced because of working on such a small image.

  0


James McGinnis James McGinnis   {K:6045} 10/22/2003
Daniel,

That looks GREAT!!! I played with the levels and curves as well but I couldn't get the right balance. Just when the face would look good the rocks and stuff would wash out. When I tried the dodging tool I just washed his face out and it looked unatural. I'd love to know how you did this. It looks sooo much better. And, of course I don't mind. That's why I'm on this site....to learn!!

  0


Chris Lauritzen   {K:14949} 10/22/2003
James,

I downloaed you shot here and worked with it in Photoshop. Now it is a small image so some of the dtail is lost but you will get the idea of what Betsy is saying. I used the Levels, curves and dodging tools to improve the boys face.

Hope you don't mind that I did this.

  0



Betsy Hern   {K:12872} 10/22/2003
Yes, James there are several alternatives to the simple dodging and you have to experiment until you find one that you like. I might suggest either placing the entire photo on another layer (select all - command J) or try using adjustment layers. The Photoshop manual discusses them to some degree but if you search on Google for Photoshop tips you can find some wonderful online tutorials. Oh, the Adobe site has many easy to understand tutorials, I'd start there first. With either layer method you can work on only the parts that need some help then erase the parts you want to keep from the undrlying layer or adjust to your hearts content using different tools and filters without affecting the original layer, in case you overdo it. Welcome to the dark side of digital enhancement, you are in for a joyous and sometimes frustrating ride.

  0


James McGinnis James McGinnis   {K:6045} 10/22/2003
I think the face looks washed and unatural with the dodging. Is there a better way?

  0


James McGinnis James McGinnis   {K:6045} 10/22/2003
OK. I tried the dodging tool. I'm not very computer savvy but I'm willing to learn.

  0



James McGinnis James McGinnis   {K:6045} 10/21/2003
I do have photoshop but I'm still learning how to use it. Last night I discovered some info on dodging. I'll try it and re-post with the changes.

  0


Betsy Hern   {K:12872} 10/21/2003
James, do you have an image-editing program where you could isolate the boy's body, and especially his face and dodge, or lighten it just a bit. It might just be the scan but he is very much in a shadow and it would be great to see his eyes. I think this would add to the emotion of the image. Your composition is well-thought out. I like the vertical format. The main figure is placed in the frame in a very inviting spot, most would center him which would not draw the eye through to the back as well as your choice. Black and white is also a good choice here. If the boy was moving you did a good job of freezing him, the focus looks sharp.

  0


James McGinnis James McGinnis   {K:6045} 10/21/2003
East Africa in a refugee camp.

  0


Daniel S. Garcia   {K:13946} 10/21/2003
A vary moving image. Where was it taken?

  0


  1

 

|  FAQ  |  Terms of Service  |  Donate  |  Site Map  |  Contact Us  |  Advertise  |

Copyright ©2013 Absolute Internet, Inc - All Rights Reserved

Elapsed Time:: 0.4550781