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ana ribeiro
{K:21290} 10/17/2003
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here i can see again your great sensebility !
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jo pez
{K:2958} 10/16/2003
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___tota je najviac z mojho srdca___ :)
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Tiro Leander
{K:19060} 10/15/2003
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This series of yours is so amazing....
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Vladislav Klima
{K:3660} 10/13/2003
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Ahoj. Kde je zena, tam moze byt prostredie sebehroznejsie - vzdy z toho nieco vznikne. Je to jednoduche ako facka (je to tiez slovenske slovo?). Perfect.
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Val .
{K:4973} 10/13/2003
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zero point for every men! ;-)
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j w
{K:12641} 10/12/2003
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Ah, now you see her, now you don't!
I love the delicacy of the disappearing form against the solid form of the stairs. I also really like the out of place tile in the bottom right corner -- it all works very well for me.
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João Magalhães
{K:2067} 10/11/2003
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Peter, thank you for your explanation. I understand the pyramid story now. Unfortunately I couldn't see a ziggurat-pyramid there before, as it is obviously (to me) cut in half by a vertical "wall". I tend not to look for stories in photos, just the visual elements, though I recall Jan Saudek's "a photograph that doesn't tell a story is not a photograph." I saw your other images and they're clearly very carefully done. Thanks.
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Mik Teige
{K:2311} 10/10/2003
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Very good work. A koncim s anglictinou, protoze to by asi bylo vsechno, co bych napsal. Tohle je moc zajimavy obraz. Zacina to nazvem. Ten pristup se mi libi, protoze ja se hlasim k nazoru, ze svet nevzniknul z niceho, ale prave naopak - vzniknul ze vseho. A tak ja vnimam tvuj obraz. Symbolicky tady vidim vsechno. Uzasna lazen (zivne vody) a s hloubkou, ta je dulezita. Hloubka - schody - vzestup. Schazejici voda nevadi, vi se o ni. A zena symbolizuje promenu, moznost. Dobry je i to, ze ta zena je prave tam, kde je. Skoro nad vodou. Good idea. Mik
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Leyla Gamze Ozdemir
{K:2424} 10/10/2003
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very nice work.
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André Bermak
{K:14443} 10/10/2003
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Excelente composição em P&B,ótimo trabalho!!!!!!
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james mckenna
{K:6535} 10/10/2003
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your composition is wonderful. that the pyramid corners of the steps are essential to the meaning. without them, the woman ascends steps; with them, she ascends a ziggurat somehow tranported to this modern wasteland. the corner shadows create a sacred space where there was mere concrete before.
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^j^ .
{K:8554} 10/10/2003
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Here you go... Add to it a sort of romantic Gypsy's waltz played on a piano by a guy named 'Flori' and this is now a very relaxing experience... Melikes !
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lowell whipple girbes
{K:13151} 10/10/2003
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excellent !!!!!!!!!!!!!!!!!
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Peter Burda
{K:4807} 10/10/2003
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to João Magalhães : thank you very much for your comment. To cut by your way is about another story inside the picture. The pyramyde is very important subject in it. I can issue you, that I always control composition working with full frame concept, mainly when I work with tripod. Otherwise your variant looks fine , but it is about another story. In this concept, I took more weight into form of picture and less wieght to the composition. PS : shadows on right side works as contra to shadows in left side ....
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João Magalhães
{K:2067} 10/10/2003
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I am strongly partial to movement [nudes] and empty places, so I really love the concept. I think, though, that you could have taken more attention to the composition with the static elements, although on the other hand you had to use a tripod, so you almost certainly did it. The stairs sahdows put in too much visual weight IMO. Maybe something like this if you don't get nervous about unusual formats.
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P. E. SCHAN
{K:63} 10/10/2003
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Yes, this is my favorite style of photography. Moc hezké!
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Alfredo Castanheira
{K:417} 10/10/2003
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Beautiful! Congrats!!
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J SIRAKAS
{K:-223} 10/10/2003
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this was really nice and yet errie.:) 'remeber ...God be between you and harm in all the empty places you walk', eypgtian poem 13dsyt.
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