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Critique By:
Michel Guyot (K:345)
6/20/2004 8:52:32 PM
Promising, but it seems unfortunately to be tilted to the left and overexposed....
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| Photo By: Andrei Kislov
(K:4041)
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Critique By:
Michel Guyot (K:345)
6/13/2004 1:30:37 PM
Grand classique parfaitement maîtrisé (ou presque: un peu brûlé à droite, c'est un détail...)
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| Photo By: Jean-Noël Fargier
(K:258)
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Critique By:
Michel Guyot (K:345)
5/23/2004 11:33:46 AM
Excellent, just with a poor visual perception of the wet floor (not easily understood without your comment). Perhaps a sharper and larger inclusion of the floor without reflection could help.
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| Photo By: Sasipa Muennuch
(K:20)
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Critique By:
Michel Guyot (K:345)
12/14/2003 3:44:01 PM
Impressive reflexion, with a great DOF and the necessary, but not excessive saturation. The leaves in the foreground gives much coherence to the picture.
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| Photo By: Teunis Haveman
(K:37426)
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Critique By:
Michel Guyot (K:345)
12/14/2003 2:25:56 PM
I agree with the first comment, it's too little to fully enjoy this superb landscape - and toning.
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| Photo By: Hans-Uwe Goehlich
(K:12)
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Critique By:
Michel Guyot (K:345)
12/7/2003 10:22:54 AM
Excellent composition, the toning is original, but well adapted to the scenary, I like much the warm color of the most dark colours, the trees in particular.
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| Photo By: Pedro Libório
(K:36301)
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Critique By:
Michel Guyot (K:345)
12/7/2003 10:17:57 AM
Very beautiful abstraction, with a great graphic and dynamic force. (If I were to guess what it is, I would say: lemonade in a plastic cup).
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| Photo By: Ferran Lacruz
(K:5466)
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Critique By:
Michel Guyot (K:345)
12/7/2003 10:12:09 AM
Une scène amusant, finement observée, à l'image de votre portfolio qui contient de petits bijoux. Titre superbe. Juste envie de tourner légèrement l'objectif vers la gauche, pour ne plus couper la chaise et réduire cet espace vide à droite, mais ce détail n'enlève rien à ma jubilation face à cette photo.
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| Photo By: Patricia Eifel
(K:5097)
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Critique By:
Michel Guyot (K:345)
12/7/2003 3:17:47 AM
The subject is beautiful and admirably composed, but I think that the exposure is perfectible: surexposition in top right, shadows almost completely black, without details. It is typically a case where the fill flash would have been useful. Photo nevertheless attracting by its great graphic quality
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| Photo By: Sarah Moustafa
(K:4456)
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Critique By:
Michel Guyot (K:345)
12/7/2003 3:10:04 AM
Serene composition, soft light, perfect environment.
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| Photo By: Teunis Haveman
(K:37426)
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Critique By:
Michel Guyot (K:345)
12/7/2003 12:46:56 AM
Perfectly balanced composition, and magnificently adapted to the title too. The tonalities and textures make of this superb something between photo and painting, very creative and original.
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| Photo By: Zelda Zabrinsky
(K:3036)
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Critique By:
Michel Guyot (K:345)
12/7/2003 12:27:34 AM
Textures and colors supplement this admirably balanced abstraction. But I would have corrected the perspective so that all the lines are straight.
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| Photo By: Masahiko Shibata
(K:14107)
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Critique By:
Michel Guyot (K:345)
12/6/2003 11:46:41 PM
Excellent ici aussi! Tu as parcouru la Mezquita avec un oeil de photographe. Le cadrage est au millimètre, comme il se doit pour un sujet aussi purement géométrique. Les formes s'agencent parfaitement avec une simplicité naturelle. L'exposition est superbe avec une ombre joliment colorée, jamais noire. Très, très bon.
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| Photo By: Roland Le Gall
(K:7018)
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Critique By:
Michel Guyot (K:345)
12/6/2003 6:00:37 AM
My initial reaction was to point a lack of contrast in the background, but it is obviously a deliberated choice, associating the mountains to the soft light of the sky rather than to the valley's shadows. This contrast is superb, almost magic.
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| Photo By: Barbara Bremigan
(K:1164)
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Critique By:
Michel Guyot (K:345)
12/6/2003 4:52:03 AM
Poetry, indeed. That of the colors, superb, that of the genuine textures, that of the objects now useless?Fine work..
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| Photo By: Dan Samoila
(K:715)
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Critique By:
Michel Guyot (K:345)
12/6/2003 4:29:29 AM
Certainly more closely related to an abstract composition than to a wildlife photo, the cropping is splendid, the detail too.
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| Photo By: Lorinda Millar
(K:2580)
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Critique By:
Michel Guyot (K:345)
12/6/2003 3:42:09 AM
Great qualities of composition, the curve underlined by the lighting is superb and the characters are ideally positioned. The beautiful toning reinforces effectively the mood.
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| Photo By: Silvia Antunes
(K:1076)
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Critique By:
Michel Guyot (K:345)
12/6/2003 3:21:15 AM
Excellent night pict, perfect exposure and the curved building in the foreground adds a lot to yours composition
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| Photo By: Christian Wettergren
(K:1333)
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Critique By:
Michel Guyot (K:345)
12/6/2003 2:46:39 AM
Very good subject, agreeably contrasted with the warm tones of the shutter. Could be a little more sharp.
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| Photo By: Tamer Gunal
(K:194)
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Critique By:
Michel Guyot (K:345)
12/6/2003 2:30:55 AM
The power, the impression of speed, the inclined framing, the tonalities and the treatment of the light, particularly the clear rail line joining the lower right angle, all contributes to do of this a great picture. Only the not focused branches in the foreground disturb a little.
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| Photo By: Castillion .
(K:1570)
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Critique By:
Michel Guyot (K:345)
12/5/2003 3:51:55 PM
The beautiful continuation of "desert colors", more dramatic, quite as natural and attractive
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Photo By: Gregory McLemore
(K:35129)
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Critique By:
Michel Guyot (K:345)
12/1/2003 11:07:39 AM
Excellent quality, particularly for this "little" camera. Breithorn is very impressive under this angle. I was 3 times at his top, from Klein Matterhorn, with good equipment and by good weather, it is without danger, in two small hours. Regards, Michel.
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| Photo By: MCHK 2000
(K:4701)
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Critique By:
Michel Guyot (K:345)
11/30/2003 12:19:43 PM
The wild force coming from this landscape is amazing. And the talent of the photographer who composed it including this tree is great.
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| Photo By: Geir Kalvatn
(K:88)
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Critique By:
Michel Guyot (K:345)
11/30/2003 12:12:51 PM
Good minimalist composition, the background is graphically a perfect contrast for the silhouettes. Slight blue glow in the shadows on my monitor, but it is a detail? or perhaps just my monitor!
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| Photo By: lucio brando
(K:2295)
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Critique By:
Michel Guyot (K:345)
11/30/2003 12:04:42 PM
Already commented elsewhere? you thus know how much I like this extraordinary combination of slow shutter speed and sharpness, perfectly composed moreover.
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| Photo By: Harry Eggens
(K:14804)
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Critique By:
Michel Guyot (K:345)
11/30/2003 7:09:05 AM
Interesting use of the shades to create strong lines in your composition. Beautiful low-sun colors too, it's obvious. I would have wished a little more space above the peak, but it's a detail
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| Photo By: Robert Gaither
(K:34128)
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Critique By:
Michel Guyot (K:345)
11/30/2003 1:24:31 AM
I am divided between the fascinating atmosphere and some imperfections: bell-tower too close to the lamp, horizon leaning, raindrops on the lens? Still globally positive.
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| Photo By: Sante Brun
(K:290)
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Critique By:
Michel Guyot (K:345)
11/30/2003 12:24:54 AM
One of the most beautiful India's landscape I ever saw, perfect composition with the oblique in the foreground and the splendid contrast and depth, attractive light. Brilliant.
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| Photo By: Shiv Kumar Surya
(K:17362)
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Critique By:
Michel Guyot (K:345)
11/30/2003 12:09:52 AM
Skilful to have left some elements very slightly coloured: the oppressive mood is thus increased. Some doubts about the lamp in the foreground, diverting a little the attention from the cameras, the main thing.
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| Photo By: Stephan Schute
(K:104)
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Critique By:
Michel Guyot (K:345)
11/29/2003 3:37:30 PM
Thank you for your kind appreciation on ' Jama Masjid '. I just took a look at your portfolio, I see that India also fascinated you. The sepia of this photo emphasizes the architecture particularly well.
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| Photo By: Amitava Banerjea
(K:7088)
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