|
|
Critique By:
Marek Krol (K:9791)
2/23/2004 1:10:15 PM
I'm getting a childish urge to run down those stairs as fast as possible leaning in to follow the curve. Very well seen and framed.
|
| Photo By: Sarah Moustafa
(K:4456)
|
|
|
Critique By:
Marek Krol (K:9791)
2/23/2004 11:34:39 AM
Klasyczne ujecie krakowa troche innaczej. Fajnie dlugi obiektyw splaszczyl lampy i kolumny na jedna plaszczyzne.
|
| Photo By: narabia
(K:9563)
|
|
|
Critique By:
Marek Krol (K:9791)
2/23/2004 11:00:11 AM
The one guy dead centre smiling. He knows somethign the rest of these grey commuters dont.
|
| Photo By: ciprian furtuna
(K:8)
|
|
|
Critique By:
Marek Krol (K:9791)
2/23/2004 10:56:02 AM
I like the idea and the composition is spot on, but both the grass and feet are missing the hot scorched look that I'm searching for here. I guess I'm just remembering a different memory of summer than you did here 
|
| Photo By: Paolo Grusovin
(K:3344)
|
|
|
Critique By:
Marek Krol (K:9791)
2/23/2004 10:48:30 AM
Looks like a lot of post work Felipe. Interesting vision - is the audience lecturingthe daisy or the other way around?
|
| Photo By: Felipe Rodríguez
(K:9200)
|
|
|
Critique By:
Marek Krol (K:9791)
2/22/2004 12:18:16 PM
formation of a cardboard double helix? "P
|
| Photo By: Fabio Keiner
(K:81109)
|
|
|
Critique By:
Marek Krol (K:9791)
2/22/2004 12:16:59 PM
Rain makes for some startling scenes Felipe. its too bad that it doesn't get along too well with electronic gear - not to mention photographers!
I've seen a lot of shots like this, but this stands out in how clearly the same image is repeated in so many different forms in hte drops. What is that red obnject anyway? Looks like a tulip or something.
BTW how do you like that tamron? I've been thinking that it would be a good future addition once the bank baalnce recovers a little. For now the 5700 will have to do.
|
| Photo By: Felipe Rodríguez
(K:9200)
|
|
|
Critique By:
Marek Krol (K:9791)
2/21/2004 2:58:12 PM
You're not playing fair Felipe. tomorrow's forecast here in warsaw is -1 and snow. 
Thanks for this small piece of colorful joy. It brings some warmth to this frozen land! Great composition.
|
| Photo By: Felipe Rodríguez
(K:9200)
|
|
|
Critique By:
Marek Krol (K:9791)
2/21/2004 1:08:49 AM
feels a bit like you are backed up behind a semi trailer in traffic. The sky though is much too saturated (did you edit this?) compared the rest of the scene and draws my attention away from the camels and man. You're getting some haloing at the border of the two as well.
|
| Photo By: Hugo de Wolf
(K:185110)
|
|
|
Critique By:
Marek Krol (K:9791)
2/20/2004 4:59:45 PM
Nie wyobrazalem sobie ze PKP moze byc tak piekne! Szkoda ze sie slonce torche przeswietlilo.
|
| Photo By: marcin klepacki
(K:944)
|
|
|
Critique By:
Marek Krol (K:9791)
2/20/2004 4:28:02 PM
Interesting feeling with all the shadows and even the body language of the men pointing to the left.
It's good to be back btw. Still busy, but I'm sure once summer is here somethings will hae to change! And yes the sigma is quite sharp, heavy to handhold though - I;m really getting to like the EX range.
|
| Photo By: Felipe Rodríguez
(K:9200)
|
|
|
Critique By:
Marek Krol (K:9791)
2/20/2004 4:24:25 PM
Strong shadows Felipe. Gives the earth even more texture than it already has. Love this rural side of spain you always show us.
did you do any color balancing? looks like the yellows have won out a bit too much in the sky.
|
| Photo By: Felipe Rodríguez
(K:9200)
|
|
|
Critique By:
Marek Krol (K:9791)
2/20/2004 4:16:15 PM
Was bout to suggest you turn the exposure compensation waaay back past 0 EV to the negatives 
|
| Photo By: anel franken
(K:0)
|
|
|
Critique By:
Marek Krol (K:9791)
2/20/2004 4:13:19 PM
Vertigo or claustrophobia. A feeling of uneasiness sets in as soon as you look at this, but I can';t tell if its too tight to breathe or so far to fall. Texture and grit in the nature of the film adds heaps to that.
|
| Photo By: Miguel Martinez
(K:5507)
|
|
|
Critique By:
Marek Krol (K:9791)
2/20/2004 4:09:20 PM
The arc swept across the sky is somehow mellow and peaceful. Inclusion of the 5th boat on the horizon breaks up that great expanse perfectly.
|
| Photo By: Reda Danaf
(K:14309)
|
|
|
Critique By:
Marek Krol (K:9791)
2/20/2004 4:04:20 PM
Everything is right here for me, the framing, shallow DOF. But the fact its a soccer net (or similar) takes the edge of things a little too much. I know barbed wire is a little overused, but I think the other elements are strong enough to supprot it.
|
| Photo By: A. W. Osnafotos
(K:6373)
|
|
|
Critique By:
Marek Krol (K:9791)
2/20/2004 4:01:23 PM
going a holga was the perfect choice for the drear filled air here. a happy place to die.
|
| Photo By: Tim Courlas
(K:486)
|
|
|
Critique By:
Marek Krol (K:9791)
2/19/2004 3:20:25 PM
Looks like its safer to stay in a tight knit bunch. Good composition, though it might be nice to have a shallow DOF sharp point to latch your eyes onto - in that foremost group of wheat stalks.
What kind of film is CN400? this has the glowing feel of a film infrared shot.
|
| Photo By: Tim Griffiths
(K:98)
|
|
|
Critique By:
Marek Krol (K:9791)
2/19/2004 3:15:16 PM
Is it the shadows or the forked hand that is the danger?
|
| Photo By: Fabio Keiner
(K:81109)
|
|
|
Critique By:
Marek Krol (K:9791)
2/19/2004 3:10:58 PM
A worthy frame of a beuatiful sight. I like the way most trees around mt Fuji form a second frame, though the one fir tree gets in teh way a little.
|
| Photo By: Kimberley McG
(K:158)
|
|
|
Critique By:
Marek Krol (K:9791)
2/19/2004 3:10:01 PM
A woman twisting like a python seductively yet dangerously. Don't touch!
|
| Photo By: Fabio Keiner
(K:81109)
|
|
|
Critique By:
Marek Krol (K:9791)
2/19/2004 3:07:49 PM
Fajnie wylapana chwila, wyraz w jego oczach i ta przemawiajaca reka. Ale brak mi tu tonacji w b&w, i troche przeszkadza rozjasnienie wokol tego pana - wyglada bardzo nienaturalnie.
|
| Photo By: Witold Spisz
(K:1293)
|
|
|
Critique By:
Marek Krol (K:9791)
2/1/2004 3:06:31 PM
Kasia,
Nie latwo te male ptaki dobrze zlapac - lataja szybko a siedza na miejscu krotko. Nie podajesz jakiego sprzetu urzywasz wiec mi trudno dac Ci tutaj glebszych rad - ale na pewno musisz wydluzyc migawke lub otworzyc troche przeslone - obydwa zdjecia sa cieme. a nastepne na tym serwerze ruszone (za dluga migawka). Jesli masz lampe blyskowa - to w takich zimowych warunkach dobrze by bylo dodac troche swiatla (moze przy kompensacji -2.0EV na lampie)
|
| Photo By: Katarzyna Sroka
(K:27)
|
|
|
Critique By:
Marek Krol (K:9791)
2/1/2004 2:42:25 PM
Has that warm feel of a slow hazy summery day. Know where I can find one somewhere in Europe right about now?
|
| Photo By: Pedro Libório
(K:36301)
|
|
|
Critique By:
Marek Krol (K:9791)
2/1/2004 2:36:11 PM
Something tells me that your portrait is lost in there somewhere even if it isn't.
|
| Photo By: Fabio Keiner
(K:81109)
|
|
|
Critique By:
Marek Krol (K:9791)
1/31/2004 2:19:20 PM
a general and his footsoldiers. great lines
|
| Photo By: Akira Yamaguchi
(K:1163)
|
|
|
Critique By:
Marek Krol (K:9791)
1/30/2004 2:34:43 PM
Imprisoned with the warm glow of light so close...well spotted.
|
| Photo By: Rodney Johnson
(K:742)
|
|
|
Critique By:
Marek Krol (K:9791)
1/30/2004 2:27:34 PM
Ah! Te Twoje barwy czerwieni :P Patrzac na to caly czas chce odslonic czarny szyld i zobaczyc druga strone rozmowy
|
| Photo By: adam zborowski
(K:413)
|
|
|
Critique By:
Marek Krol (K:9791)
1/30/2004 2:20:19 PM
Certainly seems to have a beakful there
I think you oversharpened this one - if you used USM thne try tuning the radius down - will get rid of those halos around the puffin.
|
| Photo By: Miguel Lasa
(K:62)
|
|
|
Critique By:
Marek Krol (K:9791)
1/10/2004 6:24:44 AM
Beautiful Felipe. Marred only by the small scar on the water bottom left. Taken juts around sunrise / sunset was it? Dark sky n very warm light.
|
| Photo By: Felipe Rodríguez
(K:9200)
|
|
