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Critique By:
Terry Drymon (K:154)
8/4/2002 8:17:14 AM
this is the back of the sales sheet...i put the cigars on a sheet of glass and put the silk fabrick about 1' under the glass
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| Photo By: Terry Drymon
(K:154)
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Critique By:
Terry Drymon (K:154)
7/31/2002 3:52:20 PM
great shot ...keep your feet out of the water!
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| Photo By: Jennifer Newton
(K:32)
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Critique By:
Terry Drymon (K:154)
7/31/2002 3:50:56 PM
cool & grovey....and i mean that as a BIG compliment...great job!!!
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| Photo By: Christopher Kokonas
(K:62)
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Critique By:
Terry Drymon (K:154)
7/28/2002 6:25:57 PM
the only thing that might call for a tripod is the horizon line at the top ..but to me the beauty of the compsition out weighs that...great eye william..i realy like your stuff!...oh also on the other shot that was foged..i liked the effect..sorry that wasent planed..we all have to have our film hand inspected!
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| Photo By: William R Eastman III
(K:2141)
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Critique By:
Terry Drymon (K:154)
7/27/2002 5:27:58 PM
nice image too bad that the computer does not do 4x5 justice please show more work..i love england...many beautiful places to photograph...here in the colonies if its 50 years old we tear it down and build a McDonalds...what a shame!
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| Photo By: Mike Woffinden
(K:3)
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Critique By:
Terry Drymon (K:154)
7/25/2002 6:00:30 PM
you have a lucky brother !!!
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| Photo By: matt fruge
(K:83)
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Critique By:
Terry Drymon (K:154)
7/23/2002 7:10:48 PM
great image !!!
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| Photo By: Terrence Kent
(K:7023)
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Critique By:
Terry Drymon (K:154)
7/8/2002 1:20:49 PM
GREAT CONCEPT..GREAT EXECUTION
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| Photo By: Michael Jenkins
(K:329)
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Critique By:
Terry Drymon (K:154)
7/2/2002 1:21:28 PM
Go towards the light...great job ...this could be the book cover for out of the body stuff
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| Photo By: Robert J. Fox
(K:17)
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Critique By:
Terry Drymon (K:154)
7/2/2002 1:19:39 PM
really great shot..just love the socks...and the light on the face could not be better!..this is what the ppa or whatever would call a " MASTER "
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| Photo By: William R Eastman III
(K:2141)
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Critique By:
Terry Drymon (K:154)
7/2/2002 8:38:28 AM
Hi Kim..yes its not level now that i look at it..should have written that this was hand held on back of chair because i didn't have a tripod with me..also the "effect" was nose greese on a uv filter..this was about 4 years befor coken came out with there filters..thanks for the comment
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| Photo By: Terry Drymon
(K:154)
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Critique By:
Terry Drymon (K:154)
7/1/2002 2:37:19 AM
very cool & grovey... sorry i'm from the 60's..great job!
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| Photo By: Rebecca Browne
(K:10)
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Critique By:
Terry Drymon (K:154)
6/30/2002 11:45:06 AM
i used to go there in the late 60's i wonder if the " vibe " is still the same 
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| Photo By: jane dominguez
(K:0)
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Critique By:
Terry Drymon (K:154)
6/29/2002 11:11:23 AM
there's a cigarett ad here..would like to see more of this!
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| Photo By: William R Eastman III
(K:2141)
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Critique By:
Terry Drymon (K:154)
6/29/2002 10:46:09 AM
i agree with sara.. also ..dont know if you can have a camp fire at this location..(would love to know where its at-or is it top secret) but if you had a fire and cid a long exp at "magic hour" 1/2 hr before or after sunrise or sunset it would make a beautiful warm/cold shot...just an idea..but like camping with you through your photos any way!
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| Photo By: Lisa Brainard
(K:743)
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Critique By:
Terry Drymon (K:154)
6/28/2002 12:15:00 PM
Shades of Blade Runner...Great shot
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| Photo By: nathan combs
(K:2242)
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Critique By:
Terry Drymon (K:154)
6/28/2002 7:57:26 AM
Nice abstract ! will make a great print for a wall
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| Photo By: Ron Browne
(K:1282)
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Critique By:
Terry Drymon (K:154)
6/28/2002 6:30:55 AM
Hi Dave.. yes me to..but i'm scanning 2 1/4 on a flat bed with only 35mm setup so i have to fudge somewhere...does anybody know where to find a cheep solution to scanning 2 1/4 and 4x5 ?
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| Photo By: Terry Drymon
(K:154)
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Critique By:
Terry Drymon (K:154)
6/27/2002 1:56:28 PM
GREAT SHOT.. i love 3's 3 spots of light 3 people nice curve to the road...keep up the great work!
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| Photo By: Elangovan S
(K:10675)
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Critique By:
Terry Drymon (K:154)
6/27/2002 11:14:24 AM
Hi William,
Thanks to post... first let me tell you a little bit about the shot and how it came to be. In the late '70s I was doing a lot of fashion and model photography and the girl in the photograph was one of my " discoveries" after working with her for several years I knew that she had major potential, and so in the early '80s I took her portfolio to the Eileen Ford agency in New York.... shortly after that she was on the fast track to become what later was termed " supermodel " about the time this photograph was taken she had signed a contract with Elizabeth Arden for about $5 million ...... her going rate a day was about 10,000 .... so it's kind of a payback that she agreed to fly down to Florida to do a day's shooting on the beach for me... for my next year's ad in The Black book.... which was at the time the Bible for photographers nationwide.... I've lived in Florida all my life and their is probably only one day a year... In the summer where it is overcast all day.... unless were having a hurricane....... so I loaded up my car with toys to take to the beach and although the crystal balls were one of my favorite at the time.... I just happened to throw in some candles as well..... by the way I did shoot probably over 20 roles that day..... but as my luck would have it it rained all day.... and if it wasn't raining it was miserably overcast and flat...... I am attaching one of the other photos from that day.... which I really like because I've never seen the Gulf of Mexico this shade of green...... but by the end of the day I was almost in tears because I was trying to do a Florida sunshine be shot...... and it just wasn't going to happen...... another coincidence was that I had a friend with me who was from New York and she was the rep for some of New York's big name photographers in the '60s...... one of the quotes she gave me..... I later found out was a favorite of Ansel Adams.... it is Chance favors the prepared mind..( pasture) so she said the day is not over until the sun goes down..... about sundown... or so its said by my watch I went to the car and got out the candles... I sure didn't think I had much to chance by trying some candlelight.... but when I started setting the shot up you could not see a horizon line.... or hardly even tell your the beach..... but as I was shooting some Polaroids for exposure.... the clouds lifted and I got the Orange horizon line.... and the little magical puffy clouds that you see in the photo.... if I could have controlled the clouds and the lighting.... I'm sure that I would have tried every combination of elements in this photo.... but... the shot happened within about five minutes because another cloud came and wiped out the horizon line again.
I really do appreciate all the input from everybody here because the only way you learn is some trial and error and hopefully good input from people like yourself.
Thanks again
Terry
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| Photo By: Terry Drymon
(K:154)
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Critique By:
Terry Drymon (K:154)
6/25/2002 6:34:21 PM
THANK'S this just gives me the grins!
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| Photo By: Alexander Hemery
(K:19)
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Critique By:
Terry Drymon (K:154)
6/25/2002 6:23:33 PM
you've got a great eye!
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| Photo By: Tony Smallman
(K:23858)
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Critique By:
Terry Drymon (K:154)
6/25/2002 6:21:15 PM
makes me think of the times i've been depresed..good job..great photo!
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| Photo By: Christopher Thompson
(K:145)
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Critique By:
Terry Drymon (K:154)
6/24/2002 9:51:15 AM
Do you have a print of this for sale ? please let me know
tdrymon90@hotmail.com
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| Photo By: Miguel Lasa
(K:62)
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Critique By:
Terry Drymon (K:154)
6/22/2002 4:48:02 PM
hi Philip...well i used 2 2k studio hot lights that had frenel lense ..but you could very well use a slide projector as well..i have done that alot also..i just took jells.. you can go on google and look up ROSCO thay are one of the largest theatre suppliers...actualy i usually buy several of there swatch books,,because you get every color in the rainbow and sometimes i will take a 35mm slide mount and put a bunch of gels in there and then you can project colors in or out of focus...as far as how far the wall was from the balls..i would say about 8-10 feet ..the table that i use in studio is a 4x8' sheet of plywood on a rolling table and the white wall was about 20' wide by 15' tall...please feel free to ask any thing else !
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| Photo By: Terry Drymon
(K:154)
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Critique By:
Terry Drymon (K:154)
6/22/2002 5:30:55 AM
GREAT JOB this my kind of shot!
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| Photo By: Nate Barnes
(K:216)
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Critique By:
Terry Drymon (K:154)
6/21/2002 8:24:56 AM
nice crop !!!
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| Photo By: Suzanne Strenk
(K:98)
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Critique By:
Terry Drymon (K:154)
6/20/2002 3:06:51 AM
this blows my mind...i have taken pics ..starting at age 12 and i am now 52 and have made my living as a commercial photographer all my life..this is one of the most BEAUTIFUL photos that i have seen...thank you for inspireing me
Terry Drymon
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| Photo By: Miguel Lasa
(K:62)
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Critique By:
Terry Drymon (K:154)
6/20/2002 1:02:25 AM
please tell us about this...i like it
Terry
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| Photo By: Rene Asmussen
(K:138)
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Critique By:
Terry Drymon (K:154)
6/20/2002 12:19:20 AM
take a peace of mat silver or white board and cut it small enough to hid behind the bottles and kick light back through...just look at any beer ad and you will see this..i had a chance to work 4 busch beer some time ago and the art director taught me alot..also if you do a pour..leave the mug in place with the reflector behind it and use a hose to drain the beer each time..also you have to " season " the glass first with beer so that when you do the pour the 2nd time the head will not be to big..as a clean glass will give you to much head on the first pour...I've taught myself from things like this also by ripping out a ad that i like and duplicating it...just to learn how to light ect..but keep up the good work..Terry....
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| Photo By: Jason McClendon
(K:19)
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